You can buy a drink at Happy Hour (Chashama),
but you won't need one to feel a pleasant comic buzz. Matthew Morgan,
Mark Gindick, and Ambrose Martos, the group's talented trio, let fun flow
freely throughout this evening of group-devised neo-vaudeville. For those
who warm to the sight of trampolines, there's plenty of classic clowning,
complete with pratfalls, acrobatic stunts, and lots of whoopee-cushion
gags. (The cast boasts alumni of Clown College and a certain Greatest
Show on Earth.) But the troika's more eccentric Gen X antics are the true
source of its charm. A relentless soundtrack of 1980s bubblegum pop fuels
maniacal lip-synching routines, induces hyperventilation in a hip-hopping
sequence, and inspires daredevil feats. (Whoever said that comedy requires
an element of danger will be gratified to see Gindick's experiments with
Pop Rocks and Coke.) In various guises, the threesome flatter the ladies
of the front rows with their attention, twirling capes and serenading
in sombreros; they also pursue each other, doing a fabulously zany drag
tango. Great clowning seizes on imperfection in all its forms--from dancefloor
bumbles to folding chairs that snap shut on your nose. True to tradition,
Happy Hour honors our never-ending failures with a cool adroitness that
rarely wavers. (The Snuggle Bunny's audience visit goes on a little longer
than it might, but how could anyone complain?) The finale's coup de grāce
is a brilliantly unglamorous striptease (in bathrobes), leaving Austin
Powers and The Full Monty in the dust. With meticulous execution, steady
wit, and inventive personas, it's easy to see how Happy Hour could become
a habit. |
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Most parents wouldn't dream of taking
their children to Happy Hour. Well, they should, at least if it's the
one at the Chashama Theater. This Happy Hour has everything to do with
high spirits and nothing with alcoholic ones, unless you count a can of
beer in one of its routines. A trio of young men -- Ambrose Martos, Mark
Gindick and Matthew Morgan -- who met at the Ringling Brothers and Barnum
& Bailey Clown College, Happy Hour is proof that at least some graduates
of higher education do something useful with their degrees, like slow-motion
fistfights, opening birdcages with their tongues and tangoing in drag.
Happy Hour's show, "2 for 1," consists of hilarious physical comedy, much
of it involving the spectators. At one point, Mr. Morgan plants a toilet
plunger on his shaved head and persuades a member of the audience to play
ring toss. At another, Mr. Martos places a hotel bell on top of a suitcase
with a sign saying, "Please, ring," knowing that some intrepid soul will
answer that siren call. (I won't reveal what happens next.) Although much
of the show is wordless, it is far from silent. Music is used to very
funny effect, particularly in a dance contest in which Mr. Martos follows
the directive of K.C. and the Sunshine Band's "(Shake, Shake, Shake) Shake
Your Booty" while teetering on roller skates. Much to my 7-year-old's
delight, the show includes some gross-out humor (one of the unbilled stars
is a whoopee cushion) and some mildly vulgar expressions. There's even
a finale in which the trio, wearing only bathrobes, threaten to out-monty
"The Full Monty." But don't worry. Like all good comedians, these three
know that less is often more. "2 for 1," tonight and tomorrow night at
8 at the Chashama Theater, 111 West 42nd Street, Manhattan, (212) 631-5819.
Tickets: $12. Reservations advised. |
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Kudos to Mark Gindick, Matthew Morgan and
Ambrose Martos - three irrepressible, post-modern circus clowns billed,
collectively, as Happy Hour. And kudos to Chashama Theater Artistic Director
Anita Durst, who's brought this irresistible, high-energy, family-oriented
entertainment to Times Square and is keeping ticket prices ridiculously
low - $12 and sometimes even less, thanks to 2-for-1 ticketing and other
deals. What you get is a fast-paced performance, suitable for all ages,
in which the classic elements of clowning - slapstick, mime, pratfalls,
whoopee cushions and acrobatics - are set to contemporary musical rhythms
with a nicely ironic, self-deprecating tone. At one point, the endearing,
impish Gindick even dares to "risk his life" by eating Pop Rocks candy
and drinking a Coke. (Anyone of a certain age may recall the urban legend
that swept the country, circa 1975, that combining Pop Rocks and cola
was lethal.) There's also a mock striptease, fun with a mini-trampoline
and birthday cake (if you're lucky, you'll end up with a piece). These
clowns are adding welcome new life to 42nd Street. |
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A showcase for the rumble-tumble comedy of three clowns ...the three
affable performers find a lot of |
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Happy Hour promises non-stop laughs and definitely delivers ... Martos,
Gindick and Morgan have incredible chemistry ... too many funny acts to
describe ... see them live and be surprised ... every movement is executed
for the utmost comedic effect ... a terrific trio ... Happy Hour will leave
you drunk on laughs. |
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Happy Hour is just that; an hour of frolic presented by three faux-hapless
clowns who mix the naughtiness of the old Times Square with an elegy for
a whoopee cushion and an Acme Bad Ass Kit. |
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Featuring pratfalls, cheerleading, and Pop Rocks, this latter-day vaudeville
act is a crowd pleaser. |
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Disarmingly uplifting ... this goofy threesome is madcap's made-to-order
match. |
© 2003 Happy Hour Productions
website - Noah Todd Productions